![]() |
|||
| Medieval Cathedrals and their Meanings | |||
| Excerpted from an essay entitled 'Medieval Thought and its Architectural Expression'; Dec 1999 | |||
| The order
imposed by geometry was a direct connection to God. Those attending
the cathedral would have had this mental understanding, and therefore
the innumerable geometrical themes and sub-themes of the cathedral
would reverberate with meaning. The geometry therefore was not a
self-referential exercise, but rather a manifestation of a higher
order. This geometry is witnessed in plan and section, in the
proportioning of elements relative to each other, and in the design of
the elements themselves.
The orientation of the cathedral also held considerable significance. The long axis of the cathedral was set in an east-west direction. The entrance was on the west, and the chapels were on the east. Abbot Suger had the following inscription placed on the main (west) door to St Denis:
The progression from west to east signified man’s progression towards God, with the eastern end chapels (the rising sun) being the culmination with God. There are doors on all elevations except the east, as this is a destination and not an area of transition. |
|||
![]() |
|
|
|
| Chartres, cross section (int72). | Chartres, interior elevation (int45) | Chartres, south elevation (int44) | Gothic canopy supports showing the use of geometry (sim02) |
|
|
![]() |
|
| Chartres. Geometrical construction of the apse (cha01) | Progression from west (entrance)to east signifies the pilgrim’s progress towards God (jam04). | Chartres, state of the construction works in 1210 (jam01) | |
| Return to first page | |||